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・ LeRoy Fitch
・ LeRoy Fjordbotten
・ Leroy Foster (musician)
・ Leroy Franks
・ LeRoy G. Bernstein
・ Leroy G. Phelps
・ Leroy Garcia
・ LeRoy Gardner III
・ LeRoy Gardner Jr.
・ Leroy George
・ Leroy Gilbert
・ Leroy Golding
・ Leroy Goldsworthy
・ LeRoy Grannis
・ Leroy Grant
Leroy Griffith
・ Leroy Griffiths
・ Leroy Grumman
・ Leroy Gómez
・ LeRoy H. Anderson
・ Leroy H. Vokes
・ Leroy Haley
・ Leroy Harris
・ Leroy Harris (offensive lineman)
・ Leroy Harris (running back)
・ Leroy Herrmann
・ Leroy Hill
・ Leroy Hoard
・ Leroy Hodges
・ LeRoy Holmes


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Leroy Griffith : ウィキペディア英語版
Leroy Griffith

Leroy Charles Griffith (born March 26, 1932) is an American theater and nightclub proprietor, former Broadway theater producer, and film producer. He has owned, leased, or operated more than 60 adult entertainment theaters across the United States, dating from the burlesque era of the 1950s to present day nightclubs. During burlesque's heyday, he was a prolific producer of live stage shows featuring showgirls, strippers, comedians, and other stars of the era.
His business endeavors in the adult entertainment industry have, for decades, put him at odds with restrictive municipalities, and he has taken legal action, often successfully, to be able to operate his establishments.
==Early life==

Griffith was born in Poplar Bluff, Missouri to Floyd R. and Stella Griffith. His father was a theater owner. The younger Griffith began as a projectionist, cashier, and usher at a local theater in his hometown. At 17, he left for St. Louis and a job working concessions for Oscar Markovich at the Grand Burlesque Theater. At the Grand, Griffith started as a "candy butcher," hawking candy and trinkets to audiences before and during intermission. "In those days," he said in a 1993 interview, "they had probably 30 people in the cast, a chorus line, an orchestra, two comics, a singer, a vaudeville act, and then five exotic dancers. It was a good show."
Griffith discovered that any profit to be made was not from the show itself but from the concession stand: "That's where I was. In between acts, the pitchman would sell prize packages, candy, stuff like that. Concessions was where the real money was, just like it is with regular movies today."〔 After working his way up to concession manager, Griffith began saving money, his eye set on greater aspirations.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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